Anna Karina

Biography

Anna Karina (born Hanne Karin Blarke Bayer; 22 September 1940 – 14 December 2019) was a Danish and French film actress, director, writer, model, and singer. She was an early collaborator of French New Wave director Jean-Luc Godard, her first husband, performing in several of his films, including The Little Soldier (1960), A Woman Is a Woman (1961), My Life to Live (1962), Bande à part (Band of Outsiders; 1964), Pierrot le Fou (1965), and Alphaville (1965). For her performance in A Woman Is a Woman, Karina won the Silver Bear Award for Best Actress at the Berlin Film Festival. In 1972, Karina set up a production company for Vivre ensemble (1973), her directorial debut, which screened in the Critics' Week lineup at the 26th Cannes Film Festival. She also directed the French-Canadian film Victoria (2008). In addition to her work in cinema, she worked as a singer and wrote several novels. Karina was an icon of 1960s cinema, and referred to as the "effervescent free spirit of the French New Wave, with all of the scars that the position entails". The New York Times described her as "one of the screen's great beauties and an enduring symbol of the French New Wave".

== Early life == Hanne Karin Blarke Bayer was born on 22 September 1940 in Frederiksberg, Denmark, during the German occupation of the Second World War. Her mother was a dress shop owner and her father was a ship captain who left the family a year after she was born. She lived with her maternal grandparents for four years, then spent the next four years in foster care before returning to live with her mother and her abusive step-father when she was eight. As a child, her mother belittled her appearance, and told her that her eyes and forehead were too big. She has described her childhood, as "terribly wanting to be loved", as she felt unwanted and unloved. She made numerous attempts to run away from home, trying to find boats that would take her to Sweden or America. She dreamt of becoming an actor from a young age and wanted to attend drama school but at the time the age requirement for Danish drama schools was 21. As a student, she rarely attended school and when she achieved good grades in her certificate exams, her school refused to believe she had done so without cheating. The injustice made her leave school at the age of 14.

== Career ==

=== Beginnings and modeling === After leaving school, she went on to find work as a lift operator in a department store and as an assistant to an illustrator. She began her professional career in Denmark, where she sang in cabarets and worked as a model playing in commercials. Aged 14, she was spotted in the street by Ib Schmedes, who cast her as the lead in his forty-minute short film Pigen og skoene (The Girl and The Shoes, 1959), which won a prize at Cannes. However, as things did not seem to be going well at home, where one evening her step-father beat her very badly, she decided to leave. With the equivalent of $15, which she'd received from her grandfather, she hitchhiked to Paris. She has said that although she grew up in Denmark, she was "fascinated" by France and after traveling to Paris at age 14, she wanted to go back and live there. In the summer of 1958, aged 17, Karina arrived in Paris. With only 10,000 francs and unable to speak French, she struggled to find a place to stay and had to ask neighborhood priests for somewhere to sleep. Finally, a young priest found her a small room on the rue Pavée, just behind the Bastille. One day, while starving and wandering through Paris, she found herself in Saint-Germain-des-Prés. She sat down at Les Deux Magots café, where a woman called Catherine Harlé approached her and asked her if she would be willing to do some photos. Suspicious at first, Karina finally agreed when she found out it was a professional shoot for the French newspaper Jours de France. After finishing the shoot, Harlé, although telling Karina that she wasn't very talented, gave her some contacts. She began to work as a model and eventually became successful, posing for several magazines, including Elle, and meeting Pierre Cardin and Coco Chanel. Karina has said that when she met Chanel on the set of the Elle photoshoot, Chanel told her: "I believe you want to be an actress… You need to learn French. What's your name little girl?" "Hanne Karin Bayer." Karina replied. And Chanel said: "No: Anna Karina – call yourself that." It was deliberately coined to evoke Leo Tolstoy's novel Anna Karenina. She also appeared in commercials for products such as Coca-Cola, Pepsodent, and Palmolive. She was still underage but received enough money to find herself a place to stay. And as she still wanted to attend drama school, she sat in movie theaters and watched French movies to teach herself the language.

=== Film ===

Jean-Luc Godard, then a film critic for Cahiers du cinéma, first saw Karina in the Palmolive adverts in which she posed in bathtubs. He was casting his debut feature film Breathless (À bout de souffle, 1960), and offered her a small part in it, but she refused when he mentioned that there would be a nude scene. When Godard questioned her refusal, mentioning her apparent nudity in the Palmolive ads, she is said to have replied, "Are you mad? I was wearing a bathing suit in those ads—the soapsuds went up to my neck. It was in your mind that I was undressed." In the end, the character Godard reserved for Karina did not appear in the film. Godard offered her a role in The Little Soldier (Le Petit Soldat, not released until 1963) which concerns contentious French actions during the Algerian War. She played a pro-Algerian activist. Karina, then still under 21, had to persuade her estranged mother to sign the contract for her. The film was immediately controversial, outlawed from French theaters for its content referencing the Algerian War. After the filming of The Little Soldier, Godard wanted Karina to give up acting, but when Michel Deville offered her the leading role in his next movie, Tonight or Never (Ce soir ou jamais), she accepted immediately, and despite his displeasure Godard drove her to the studio each morning; it was after seeing the rushes of Deville's movie, in which she played an ambitious actress and had to learn her lines before shooting, that he decided to cast her in his own next movie, A Woman Is a Woman (Une femme est une femme, 1961). As Angela in A Woman Is a Woman, Karina's role was as an unattached striptease dancer who nevertheless wishes to have a child and daydreams about appearing in MGM musicals. Her school-girl costume emulated Leslie Caron in Gigi (1958), worn even while performing her act. Karina won the Silver Bear for Best Actress at the 11th Berlin International Film Festival for her performance. In all, Karina appeared in eight films directed by Godard, including My Life to Live (Vivre sa vie, 1962), Band of Outsiders (Bande à part, 1964) Pierrot le Fou and Alphaville (both 1965). In Pierrot le Fou, Karina's character is on the run with her ex-boyfriend, while in Alphaville, a science-fiction film often equated to Bladerunner, Karina's role requires her to have difficulty saying the phrase "I love you." The last film in the sequence was Made in USA (1966). Anne Billson, in an article querying the concept of the female muse, wrote that Godard in his films with Karina "seems to have trouble conceiving that the female experience revolves around anything other than prostitution, duplicity, or wanting babies." Karina herself did not object to being described as Godard's muse: "Maybe it's too much, it sounds so pompous. But of course I'm always very touched to hear people say that. Because Jean-Luc gave me a gift to play all of those parts." Her career flourished, with Karina appearing in dozens of films through the 1960s, including: The Nun (La Religieuse, 1966), directed by Jacques Rivette; Luchino Visconti's The Stranger (Lo straniero, 1967); the George Cukor/Joseph Strick collaboration Justine (1969); and Tony Richardson's Laughter in the Dark (1969). She continued to work steadily into the 1970s, with roles in Christian de Chalonge's The Wedding Ring (L'Alliance, 1970), Andre Delvaux's Rendezvous at Bray (Rendez-vous à Bray, also 1971), The Salzburg Connection (1972), and Franco Brusati's Bread and Chocolate (Pane e cioccolata, 1973). In 1972, she set up the production company for Living Together (Vivre ensemble, 1973), her directorial debut, in which she also acted. The film screened in the Critics' Week lineup at the 26th Cannes Film Festival. She starred in Rainer Werner Fassbinder's Chinese Roulette (Chinesisches Roulette, 1976); Fassbinder allegedly wrote the film for her and Ulli Lommel, her partner at the time. She later wrote and acted in Last Song (1987) and appeared in Up, Down, Fragile (Haut bas fragile, 1995), directed by Jacques Rivette, and sang in The Truth About Charlie (2002), a remake of the film Charade (1963). Karina wrote, directed and starred in Victoria (2008), a musical road movie filmed in Montreal and Saguenay–Lac-Saint-Jean, Quebec. The lead character, played by Karina, has amnesia. Richard Kuipers praised it in Variety as "a pleasant gambol through the backwoods of Quebec."

=== Music and writing === Karina maintained a singing career. At the end of the 1960s, she scored a major hit with "Sous le soleil exactement" and "Roller Girl" by Serge Gainsbourg. Both songs are from the TV musical comedy Anna (1967), by the film director Pierre Koralnik, in which she sings seven songs alongside Gainsbourg and Jean-Claude Brialy. Karina recorded the album Une histoire d'amour with Philippe Katerine, followed by a concert tour. In 2005, she released Chansons de films, a collection of songs sung in movies. Karina wrote four novels: Vivre ensemble (1973), Golden City (1983), On n'achète pas le soleil (1988), and Jusqu'au bout du hasard (1998).

== Personal life ==