Audrey Munson

Biography

Audrey Marie Munson (June 8, 1891 – February 20, 1996) was an American artist's model and film actress, considered to be "America's first supermodel." In her time, she was variously known as "Miss Manhattan", the "Panama–Pacific Girl", the "Exposition Girl" and "American Venus." She was the model or inspiration for more than twelve statues in New York City, and many others elsewhere. Munson appeared in four silent films, including unclothed in Inspiration (1915). She was one of the first American actresses to appear nude in a non-pornographic film.

== Career == Long after she and everyone else of this generation shall have become dust, Audrey Munson, who posed for three-fifths of all the statuary of the Panama–Pacific exposition, will live in the bronzes and canvasses of the art centers of the world.

=== Model === Audrey Marie Munson was born in Rochester, New York, on June 8, 1891, to Edgar Munson (1854–1945), who was a streetcar conductor and Western real estate speculator descended from English Puritans, and Katherine C. "Kittie" Mahoney (1862–1958), a daughter of John and Cecilia Mahoney, Irish immigrants. Her father was from Mexico, New York, and she later lived there. Her parents divorced when she was eight, and Audrey and her mother moved to Providence, Rhode Island. In 1909, mother and daughter moved to Washington Heights in New York City, where the 17-year-old Audrey sought a career as an actress and chorus girl. Her first role on Broadway was as a "footman" in The Boy and The Girl at the Aerial Gardens of the New Amsterdam Theatre, which ran from May 31 – June 19, 1909. She also appeared in The Girl and the Wizard, Girlies and La Belle Parée. While window-shopping on Fifth Avenue with her mother she was spotted by photographer Felix Benedict Herzog, who asked her to pose for him at his studio in the Lincoln Arcade Building on Broadway and 65th Street. Herzog introduced her to his friends in the art world. She posed for muralist William de Leftwich Dodge, who gave her a letter of introduction to Isidore Konti. Konti was her first sculptor and her first nude modeling. From this point, Munson would pose for several well-known artists, including painter Francis Coates Jones, illustrators Harrison Fisher, Archie Gunn, and Charles Dana Gibson, and photographers Herzog and Arnold Genthe, but she predominately modeled for sculptors. Munson's first acknowledged credit is Konti's marble statuary called Three Graces, unveiled in the new Grand Ballroom at the Hotel Astor in Times Square in September 1909. She posed for all three Graces. Soon after that and for the next decade, Munson became the model of choice for the first tier of American sculptors, posing for a long list of freestanding statuary, monuments, and allegorical architectural sculpture on state capitols and other major public buildings. According to The Sun in 1913, "Over a hundred artists agree that if the name of Miss Manhattan belongs to anyone in particular it is to this young woman."

By 1915, she was so well-established that she became Alexander Stirling Calder's model of choice when he became Director of Sculpture for the Panama–Pacific International Exposition held in San Francisco that year. Her figure was "ninety times repeated against the sky" on one building alone, atop the colonnades of the Court of the Universe, roughly modeled on St. Peter's Square in the Vatican. In fact, Munson posed for three-fifths of the sculptures created for the event and earned fame as the "Panama–Pacific Girl".

=== Film actress ===

Munson's newfound celebrity helped launch her career in the nascent film industry and she starred in four silent films. In the first, Inspiration (1915), made by the Thanhouser Film Corporation in New Rochelle, New York and directed by George Foster Platt, she appeared fully nude in a story of a sculptor's model. The censors were reluctant to ban the film, fearing they would also have to ban Renaissance art. Munson's films were a box office success, although the critics were divided. Thanhouser hired a lookalike named Jane Thomas to do Munson's acting scenes, while Munson did the scenes where she posed nude. Although Munson's appearance in Inspiration is sometimes said to be the first occasion of an American actress appearing nude in a non-pornographic film, according to film historian Karen Ward Mahr, Margaret Edwards did so first in Hypocrites, which was released earlier in 1915. Munson's second film, Purity (1916), made by the American Film Company in Santa Barbara, California and directed by Rae Berger, is the only one of her films to survive, being rediscovered in 1993 in a "pornography" collection in France and acquired by the French national cinema archive. Her third film, The Girl o' Dreams, also made by American in Santa Barbara and probably directed by Tom Ricketts from a story by William Pigott (the American Film Institute catalog lists Pigott as director, but all his other credits list him as a writer), was completed by the fall of 1916; although the film is mentioned on the credit lists of several of its actors in the October 21, 1916 Motion Picture Studio Directory, it was not released at that time and not copyrighted until December 31, 1918; there is no subsequent mention of the film and it may never have been released. Munson returned to the East Coast by train via Syracuse in December 1916, having been involved with high society in New York and Newport, Rhode Island. There are accounts in which her mother insists she married the son of a "Comstock Lode" silver heir, Hermann Oelrichs Jr., then the richest bachelor in America. There is no record of this. On January 27, 1919, she wrote a rambling letter to the U.S. State Department denouncing Oelrichs as part of a pro-German network that had driven her out of the movie business. She said she planned to abandon the United States to restart her movie career in England.

=== Notoriety === In 1919, Audrey Munson was living with her mother in a boarding house at 164 West 65th Street, Manhattan, owned by Dr. Walter Wilkins. Wilkins fell in love with Munson, and on February 27, murdered his wife, Julia, so he could be available for marriage. Munson and her mother left New York, and the police sought them for questioning. After a nationwide hunt, they were located. They refused to return to New York, but were questioned by agents from the Burns Detective Agency in Toronto, Ontario, Canada. The contents of the affidavits they supplied have never been revealed, but Audrey Munson strongly denied that she had any romantic relationship with Dr. Wilkins. Wilkins was tried, found guilty, and sentenced to the electric chair. He hanged himself in his prison cell before the sentence could be carried out. The Wilkins killing may even have marked the end of Munson's modeling career, although she continued to seek regular newspaper coverage. By 1920, Munson could not find work anywhere and was reported as living in Syracuse, New York, supported by her mother, who sold kitchen utensils door-to-door. In November 1920, she was said to be working as a ticket-taker in a dime museum.

From January to May 1921, a series of twenty serialized articles ran in Hearst's Sunday Magazine in dozens of Sunday newspaper supplements, under Munson's name, entitled By the 'Queen of the Artists' Studios'. The twenty articles relate anecdotes from her career, with warnings about the fates of other models. In one of them, she asked the reader to imagine her future: